The Blonde in a Red Dress may have played the damsel in distress yesterday, but she was evidently an undercover gun moll (or the nearest Old West equivalent.)
Outlaws v1 #3, DS Publishing
The ubiquitous cover girl of the Golden Age of comics!
The Blonde in a Red Dress may have played the damsel in distress yesterday, but she was evidently an undercover gun moll (or the nearest Old West equivalent.)
Outlaws v1 #3, DS Publishing
“It’s supposed to look like suicide but to me it’s murder!”
Yeah, but given how many crime scenes the Blonde in a Red Dress has been in the middle of, I wouldn’t be surprised if everything looks like murder to her by now.
Gangsters Can’t Win v1 #4, DS Publishing
Wait, who’s talking? What order is this dialog supposed to go in? This is why the Blonde in a Red Dress hates working with slackers who skip out on rehersals.
Exposed v1 #9, DS Publishing
If you’re going to be breaking up with someone anyway, I guess an extra $5000 may help console the heartache. (I’m sure he deserves it. As we noted last week, the Blonde in a Red Dress was dating “a no-good guy“.)
Public Enemies v.1 #4, DS Publishing
Death itself looks on confusedly, distracted by how weirdly lumpy and off-center their word balloons are.
Exposed v1 #1, DS Publishing
I think the reluctant driver is really just stalling for time until the artist can find better reference material for drawing automobiles, if the weird angles and shape of their vehicular setpiece is any indication.
Exposed v1 #5, DS Publishing
Thrilling, I say!
Pay-Off v1 #3, DS Publishing