The Blonde in Red has a typical commute on the New York subways.
Witches Tales #22, by Harvey
The ubiquitous cover girl of the Golden Age of comics!
The Blonde in Red has a typical commute on the New York subways.
Witches Tales #22, by Harvey
After the babysitter incident, I’m not at all surprised if the sequence of events matches the “In this issue” blurb: The rich man’s daughter ends up with alimony and everything.
Tender Romance #1, by Stanley Morse
So if I’m reading this cover correctly, the Blonde in Red is trying to stab her captor, who looks like a Neanderthal brute being possessed by the ghost of an executioner being possessed by the ghost of a wizened crone?
Ghost Comics #9, by Fiction House
“Girls who sell their kisses” and “men who buy them cheap” were both scandalized when the Blonde in a Red Dress was caught using insider knowledge to make a fortune short-selling in the speculative kissing futures market!
True Love Problems #24, by Harvey
When the Blonde in a Red Dress says she wants to keep her lottery prize winnings annonymous, she means it.
Sexton Blake Library S3-300
The “Circle of Life” involves a big musical number with cartoon lions, but the “Circle of Death” involves… whatever the heck this is.
Mysteries #4, by Superior Comics
Whoops, look at the time! Gotta go!
Love secrets #34, by Quality
The Blonde in Red was a fool to put a price on love… at least not until she got a comparison quote on the competing cash prize offer.
Love Journal #21, by Orbit
Once again, this “romance” cover art and caption could just as easily be for a crime or horror comic.
First Love #34, by Harvey
For some reason, the story of a day at the beach by the Blonde in a Red Swimsuit is given cover blurbs that sound like they belong on her horror comic titles instead.
All True Romance #14, by Comic Media